1. Mariamman Songs Free Download

Goddess Mariamman Tamil மாரியம்மன் Weapon Māri (/mɒrı/, /maari/,: மாரி), also known as Mariamman ( /mɒrı əˈmʌn/: மாரியம்மன்) and Mariaai, both meaning 'Mother Mari', spelt also Maariamma (: மாரியம்மா), or simply Amman or Aatha (: அம்மன், 'mother') is the South Indian goddess of rain. She is the main mother goddess, predominant in the rural areas of.

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Māri is closely associated with the Hindu goddesses and as well as with her North Indian counterpart. The goddess Mariamman is considered by many to be the South Indian Incarnation of Goddess. It is said that when Kali went to Southern India as Mariamman, followed her as. Her festivals are held during the late summer / early autumn season of 'Aadi'. Throughout the and deccan region, grand festival known as 'Aadi Thiruvizha' are taken for Maariamman. Her worship mainly focuses on bringing rains and curing diseases like cholera, smallpox, and chicken pox.

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She is worshipped in accordance to the local agamas as 'Pidari' or the 'Grama Devata' usually by non-Brahmin priests or in some cases of big temples like Samayapuram Maariamman temple, also by Brahmin priests. According to shaktha agamas, she is depicted in sitting posture and might be flanked some times by Ganesha and Subramaniya or Ganesha and Naaga on her sides. She is usually taken in procession in a decorated chariot. Mariyamman in Tirisool, 10th century, period, Tamil Nadu, India Mariamman is a Tamil folk goddess, whose worship probably originated in pre-vedic India. She is the main mother goddess, predominant in the rural areas of.

In the post-vedic period, Māri was associated to Hindu goddesses like, and as well as with her North Indian counterpart and Eastern Indian counterpart. The word Mari (pronunciation: /maari/) has a sangam Tamil origin meaning 'Rain' and the Tamil word Amman means 'Mother'. She was worshipped by the ancient Tamils as the bringer of rain and thus also the bringer of prosperity, since the abundance of their crops was dependent largely upon adequate rainfall. The cult of the mother goddess is treated as an indication of a society which venerated femininity. The temples of the Sangam days, mainly of Madurai, seem to have had priestesses to the deity, which also appear predominantly a goddess. In the Sangam literature, there is an elaborate description of the rites performed by the Kurava priestess in the shrine Palamutircholai.

Worship The worshiping methods are non-vedic and often accompanied by various kinds of folk dancing. Offerings such as and that are cooked using earthen pots are also made during the festive season. Rituals such as fire walking and mouth or nose piercing are also practised. At the temple of Samayapuram, which lies six miles to the north of Tirucirapalli, the Hindu system of worship is still seen today for the worship of Mariyamman.

Worship for Mariyamman is a ten-day festival, organized by temple authorities during the second week in April. Some continue to use an old village customs of worship by offering chickens and goats to the deity, but the animals are no longer sacrificed but sold after being offered.

But the main worshipping of the goddess occurs on the road a mile or two from the temple. A hurried walk and dance carries hundreds of thousands of worshippers along the road to the temple. Countless people in the crowd have fasted, shaved their heads, and wear bright yellow clothes, which are sacred to the goddess. Many women and children carry a pot on their heads decorated with the goddess’s favourite leaves of the margosa tree. Young men and women carry similar pots but are followed by drummers and dance more wildly. Larger men and women carry pots of charcoal fire.

Some put themselves through a special tribulation of having one of the sacred weapons, dagger, trident, or a spear, inserted through their cheeks or tongues. Through this worship each individual realizes themselves and others through samsara and moksha. In this self-realization he or she is bonded with the goddess, which is the underlining reason of the worship. Mariamman Ther Thiruvizha One story about the origin of Maariamman is that she was the wife of, the Tamil poet, who was an outcast. She caught and begged from house to house for food, fanning herself with leaves of the or tree to keep the flies off her sores.

She recovered and people worshipped her as the goddess of smallpox. To keep smallpox away, neem leaves are hung above the main entryways of South Indian homes.

This temple houses both Thiruvalluvar and his wife Vaasuki Ammaiyar. This is in sharp contrast to the life of Thiruvalluvar wherein he advocated love for all. Hence this story cannot be taken to be credible. The Tamil word 'Muthu' means pearl and hence in the ancient usage of the language 'Muthu Maari' was a poetic metaphor for raindrops, whereby they were equated with precious pearls bestowed as the gifts of the Nature goddess. Maariamman was also called 'Muthu Maariamman' which meant the goddess who gives prosperous rain. This was wrongly connected to the pearl-like small form of the boils that occur during. Another story involves the beautiful and virtuous Nagavali, wife of Piruhu , one of the nine Rishis.

One day the Rishi was away and the came to see if her famed beauty and virtue was true. Nagavali did not know them and, resenting their intrusion, turned them into little children. The gods were offended and cursed her, so her beauty faded and her face became marked like.

The Rishi returned, found her disfigured, and drove her away, declaring she would be born a demon in the next world and cause the spread of a which would make people like her. She was called Mari, meaning 'changed.' Both stories are reported by Whitehead and he remarks that in Mysore he was told that Mari meant sakti, power. Local goddesses such as Mariamman who were believed to protect villages and their lands and represent the different castes of their worshippers have always been an important part of the religious landscape of South India.

However, we can note periods of special significance. The eclecticism of the period (1336–1565) encouraged folk religion, which became more important and influenced the more literate forms of religion. In the last century and a half there has been a rebirth of Tamil self-consciousness (see Devotion to Murukan). In the middle of the present century deities such as Mariamman have become linked to the 'great tradition' as the strata of society which worship the goddess has become integrated into the larger social order.

Iconography Māri is usually pictured as a beautiful young woman with a red-hued face, wearing a red dress. Sometimes she is portrayed with many arms—representing her many powers—but in most representations she has only two or four. Māri is generally portrayed in the sitting or standing position, often holding a in one hand and a bowl in the other. One of her hands may display a, usually the mudra, to ward off fear. She may be represented with two demeanours—one displaying her pleasant nature, and the other her terrifying aspect, with fangs and a wild mane of hair. Goddess of medicine Mariamman cures all so-called 'heat-based' like. During the summer months in South India (March to June), people walk miles carrying pots of water mixed with and leaves to ward off illnesses like the.

In this way, goddess Māri is very similar to North Indian goddess. Fertility goddess Devotees also pray to Mariamman for familial welfare such as fertility, healthy progeny or a good spouse. The most favoured offering is ', a mix of and, cooked mostly in the complex, or shrine itself, in pots using firewood. Some festivals in honour of goddess Māri involve processions carrying lights. In the night, the devotees carry oil lamps in procession. Mariamman is the family deity for many families in Thanjavur district, Tamil Nadu.It is usually a family custom to initially worship the family deity for any family occasion such as weddings. Many families even have a custom of inviting the family deity first for all occasions in the family.

The family deity (Kula-theivam) worship is considered more important in any Hindu festival. The family deity worship runs many generations and it also gives a clue to the origin of the family, because the family deities are usually located within the vicinity of the village where the family belongs. Temples Most temples to Mariamman are simple village, where both male and female priests perform sacred rituals. In many rural shrines, the goddess is represented by a stone with a sharp tip, like a head. This stone is often adorned with garlands made of and with red flowers. These shrines often have an that could be the resting place of a. Milk and are offered to propitiate the snake.

Mariamman Songs Free Download

Some temples have also attained enough popularity that officiate at them. For example, the Samayapuram temple near the shore of river in the northern outskirts of, maintains a rich agamic tradition and all rituals are performed by of. Punainallur, near (Tanjore), is the location of another famous Māri temple. Legend says that Mariamman appeared to the King Venkoji Maharaja Chatrapati (1676–1688) of Tanjore in his dreams and told him she was in a forest of Punna trees three miles distant from Tanjore. The King rushed to the spot and recovered an from the jungle. Under the king's orders a temple was constructed, the idol installed and the place was called Punnainallur. Hence the deity of this temple is known as Punnainallur Mariamman.

Mud replicas of different parts of the human body are placed in the temple as offerings by devotees pleading for cure. It is said that the daughter of Tulaja Raja (1729–35) of Tanjore, who lost her eyesight due to illness, regained it after worshipping at this temple. Shri Sadasiva Brahmendra is said to have made the Moola Murthy of Goddess Maariamman from the mud from the ant hill where snakes had resided. Kottai Sri Periya Mariamman temple which is located in the heart of the city, the Aadi festival celebrated for 22 days.

The Mariamman temple festival is a grand one in. The worship of three mariamman goddesses named small, medium and big mariamman ( residing at three separate localities within the city ) is combined in a festival every April.

It features the thiruvilla, along with all the other to God, and ends at the river with the purificatory immersion of the kambam ( effigy of Mariamman's husband ) in the flowing waters of the river. The Mariamman temple festival, which is celebrated at the end of May each year, is another notable festival held in honour of the goddess in Tamil Nadu. Other important temples of Mariamman in are in the towns of, Anbil (near Trichy), and,. In Chennai (Madras), a famous Mariamman temple is the Putthu Mariamman: the eponymous Putthu (ant hill) being located across the road from the temple on the opposite side of the Velachery Main Road. Singer rendered in 2012 a song on Samayapuram Mariamman deity which became part of the album Om Nava Sakthi Jaya Jaya Sakthi. The song narrates the power of as Samayapuram Amman which has the Peruvalai River as Punya Theertham as believed by people in that area. Is home to the Theppakulam sri Mariamman Temple, a noted focus of devotion, primarily to the goddess but also to the deified maruthuvachi ( = doctor / ) Periyachi Amman ( Pechi Amman ), elevated to the status of a goddess for her skill and heroism.

The temple possesses a large theppakulam. Here the Panguni festival is the main event of the religious calendar. The devotees of The goddess Mariamman observe the 'poo choridhal' festival, and in the month of Aadi many women honour her with fasting and prayer. Another famous Mariamman temple is situated in the state of, in the town of Kaup, seven kilometres from the famous temple town of. There is also a famous and highly-regarded Mariamman temple in ( a residential area of the city of ), where many miracles have been reported to occur through the power of the goddess. The temple is known familiarly as Urwa Marigudi.

Sri Mariamman temple in,., Negombo., - Outside India There are many Mariamman temples outside India, in, (Mari Mata Temple Rattan Tallow Akbar Road Saddar Karachi Pakistan, in Karachi 5 Mari Mata Temples, Rattan Tallow Temple Soyam Parghat Temple. In Karachi five temples of Mari Mata)., and, the product of efforts of the. Some notable temples include the, a, as well as one in, Sri Mariamman Temple Karachi Pakistan, (Marathi Peoples Calling=Mari Aayi)(Shri Mari Mata Temple Rattan Tallow Akbar Road Saddar Karachi Pakistan.). There are also many Mariamman temple in every state of. 'ஆயி உமையானவளே ஆதிசிவன் தேவியரே' (Oh Mother Uma, Consort of Siva!) - Mariamman Thalattu, Goddess Mari Prayer. 'The truthful Kali who guarded the homesteads sat with her, The Kali sat together with Durga continuously with her' Mariamman Lullaby.

'ஆயி உமையானவளே ஆதிசிவன் தேவியரே' (Oh Mother Uma, Consort of Siva!) - Mariamman Thalattu, Goddess Mari Prayer. 'The truthful Kali who guarded the homesteads sat with her, The Kali sat together with Durga continuously with her' Mariamman Lullaby. Manickam, Valliappa Subramaniam (1968). Academy of Tamil Scholars of Tamil Nadu.

Lal, Mohan (2006). The Encyclopaedia Of Indian Literature (Volume Five (Sasay To Zorgot), Volume 5.

Sahitya Akademi. M.K.V.Narayan, Exploring the Hindu Mind: Cultural Reflection and Symbolism, Readworthy, 2009, pp 93. Younger, Paul.

'Journal of the American Academy of Religion.' A Temple Festival of Māriyamman (1980): 493-513. ATLA Religion Database. Retrieved 2011-10-29. References. Kolenda, Pauline Pox and the terror of Childlessness: Images and Ideas of the Smallpox Goddess in a North Indian Village in P.

Kolenda Caste, Cult and Hierarchy: Essays on the Culture of India (New Delhi: Folklore Institute, 1983) 198–221. Rigopoulos, Antonio The life and teachings of Sai Baba of Shirdi State University of New York press, Albany, (1993) pages 78, 80, 160, 224, 226, 250 Further reading. The Village Gods of South India External links Wikimedia Commons has media related to.